Kelp entered my artwork years ago. I usually see mounds of it washed up on the shore, bunched upon Ocean Beach. Like the mazes I enjoyed drawing as a child the kelp is a naturally convoluted entanglement. It's a knot that can't be untied. In the sea it's a bustling ecosystem of abstract, twisted, labyrinthian cords of green and amber. If you scuba-dive you'll see that kelp exists as a marketplace for countless underwater creatures and fish. I draw it because of its perplexity. I paint it because of my life-long connection to the ocean.
Sunday, June 27, 2010
Tangled Kelp in a Box
Kelp entered my artwork years ago. I usually see mounds of it washed up on the shore, bunched upon Ocean Beach. Like the mazes I enjoyed drawing as a child the kelp is a naturally convoluted entanglement. It's a knot that can't be untied. In the sea it's a bustling ecosystem of abstract, twisted, labyrinthian cords of green and amber. If you scuba-dive you'll see that kelp exists as a marketplace for countless underwater creatures and fish. I draw it because of its perplexity. I paint it because of my life-long connection to the ocean.
Tuesday, June 22, 2010
Wednesday, June 16, 2010
The Yellow Legal Pad
A yellow legal pad is always in my bag. It's not quite a journal or a sketchbook. However it is a little of both and more. Perhaps it's a bridge between the two. It doesn't extract the confessions and observations that a journal might. It doesn't focus attention as a sketchbook might. But anything goes on the yellow pad. This should be true for the other books but the difference is the pad itself. Brainstorms burst better on a yellow pad and thoughts flow freely.
Thursday, June 10, 2010
Crashing Wave of Cloth Continued
I'm still getting lost in this 4' X 5' crashing wave of cloth painting. Or am I getting found? Either way, this is my meditation lately.
Labels:
Cloth painting,
crashing wave,
drapery painting,
jay mercado
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